Special Populationson the young gifted child books

Gifted Lifes is a book which includes extended research on 20 outstandingly talented people in Britain that the writer has followed for 35 old ages since they were kids, diversely aged five to 14 when she started, possessing a scope in countries of giftedness. The writer is Joan Freeman, a distinguished and lifetime award winning British psychologist working for the development of human abilities to their highest degrees. This book investigates why some of the immature gifted kids succeeded and others did non. Freeman shows how their single reactions to even really early experiences-including their parent ‘s attitudes and actions toward them-continue to impact their lives as they enter middle-age. Their narratives illustrate how apparently harmless events could hold lay waste toing life-long effects. Freeman ‘s composing throughout is controlled and nonsubjective, and reviews show that she finally increases the strength of her narratives by allowing you see flawlessly int o each character ‘s life without narrative contamination.A This resource seems to be a unequivocal up-to-date work on the particular population of the really immature gifted and gives great penetration into what they will go. Galbraith, J. , & A ; Espeland, P. ( 2000 ) . You know your kid is gifted when aˆÂ ¦ a novice ‘s usher to life on the bright side. Minneapolis, MN: Free Spirit. This book by Judy Galbraith ( award winning writer and publishing house ) uses humourous sketchs and commentaries on giftedness to supply parents with information on the features, challenges, and the joys of rearing a immature gifted kid. The â€Å" good, bad, and ugly † about each of the different features of talented kids are shared, along with ways to assist promote the development of the kid. Information is besides provided on the differences between bright kids and talented kids, how to place gifted, labeling, multiple intelligences, perfectionism, relationships, badgering, self-esteem, and recommending for the kid. Throughout the book, first-person narratives from parents of kids with giftedness offer the reader reassurance and penetrations. A list of related organisations and helpful web sites is besides included. This book is great for parents, but it ‘s besides recommended for instructors, child care suppliers, counsellors, and others who work with really immatu re gifted kids. Olszewski-Kublius, P. , Limburg-Weber, L. , & A ; Pfeiffer, S. ( 2003 ) . Early gifts: Recognizing and fostering kids ‘s endowments. Waco, TX: Prufrock. This book is a practical resource that offers counsel for parents of talented preschool and elementary-age kids. Discussed in each chapter are early behaviours indicative of possible endowment and how parents can make a place environment that both elicits and develops their kid ‘s particular abilities through activities, games, and drama. The writers address offer solid advice and counsel for parents of talented and gifted kids of preschool and simple school age. The book shows parents and pedagogues ways to place a kid ‘s country of endowment ; support and raising that talent both at place and at school ; and schemes parents can utilize to guarantee their talented kid grows to be a happy, healthy grownup. The writers are all known to be taking experts in the field of talented and gifted instruction one of whom serves as the executive manager of Duke ‘s Talent Identification Program. Smutny, J. F. , Walker, S. Y. , & A ; Meckstroth, E. A. ( 1997 ) . Teaching immature gifted kids in the regular schoolroom: identifying, nurturing, and disputing ages 4-9. Minneapolis, MN: Free Spirit Press. In their book, Teaching Young Gifted Children in the Regular Classroom, the composing squad of Smutny, Walker, and Meckstroth offer sound theory and real-world utility for run intoing the educational demands of talented 4- to 9-year-olds in general instruction schoolrooms. This originative usher inspires and enables instructors ( and parents ) with ways to place talented kids early and gives advice on how to make a learning environment that supports all pupils efficaciously and instantly. The book includes often asked inquiries ( and common sense replies ) , and many consistent signifiers for instructors. The book besides discusses single acquisition manners ; happening the balance between construction and creativeness ; get bying accomplishments for emphasis, sensitiveness, and perfectionism ; gifted childs from cultural minorities ; concerted acquisition vs. bunchs ; and including parents as co-workers in their kid ‘s instruction experience. From placing to functioning, this publication ( albeit 14 old ages old ) is filled with many practical thoughts that makes it priceless for pedagogues in the preschool and primary classs and therefore was really of import to add to the bibliography.VideosDeVito, D. ( Director ) . ( 1996 ) . Matilda [ Motion image ] . United States: Sony Pictures. In this excessive fictional comedy, an intelligent immature miss invariably experiences irritation with her philistine household who does non appreciate her love of acquisition and desire to read through an extended aggregation of books. When Matilda eventually begins school, she is intimidated by the dictatorial principal, but she is enthralled with the chance to socialise with other kids and to get down larning with her schoolroom instructor, Miss Honey, who recognizes Matilda ‘s advanced mind, and together the two build a close relationship. As Matilda continues to see defeat with her parents and the school principal, she discovers she has clairvoyant powers. Though the content of the film is absurd, the movie ‘s message that immature kids ‘s rational abilities should be appreciated and nurtured is an appropriate one for guided screening. Additionally, this movie would be utile in turn toing talented simple school kids ‘s demand to happen friends who identi fy with their mind. Zaillian, S. ( Director ) . ( 1993 ) . Searching for Bobby Fischer [ VHS ] [ Motion image ] . United States: Paramount. This film, Searching for Bobby Fischer, tells the narrative of a universe title-holder cheat participant. The narrative serves as a background for an first-class film concentrating on endowment development in immature prodigies. The cardinal character is a seven-year-old named Josh Waitzman who becomes intrigued with work forces playing cheat in New York City ‘s Washington Square. When his parents detect his captivation with the game and his natural gift for cheat, his male parent succeeds at happening a cheat instructor for his boy. This picture is a great resource for both instructors of the talented and talented kids because it focuses on the gifts and endowments of a precocious kid who excels in his country of involvement.Journal ArticlesDiezmann, Carmel M. & A ; Watters, James J. ( 2000 ) Challenging the Young Gifted Child in Science and Mathematicss: An Enrichment Strategy. TalentEd, 18 ( 1 ) , pp. 2-8. Gross, M. U. M. ( 1999 ) . Small poppies: Highly talented kids in the early old ages. Roeper Review, 21 ( 3 ) , 207-214. This article by Miraca Gross ( manager of Gifted Education Research in Sydney, Australia ) is a authoritative on the development and demands of deeply gifted kids in babyhood, toddlerhood and the preschool old ages. It discusses some of the hallmarks of utmost intelligence in the really immature. Gross discusses the under-identification of immature highly-gifted kids and describes the developmental differences in highly-gifted kids. The job that is discussed is the fact that extremely gifted kids are often placed at hazard in the early old ages of school through inappropriate grade-placement and a earnestly unequal course of study. She concludes her article by forcing the reader to see that extremely gifted kids are at hazard in schools because the bulk of instructors have had no entree to preparation that would do them cognizant of the curricular and programming deductions of degrees or grades of giftedness. This article was of import to include ( even though it did non fall in the twelvemonth 2000 or beyond class ) because it goes beyond what other articles listed here have researched. It looks non merely at the immature gifted kid, but the deeply gifted kid and awakens readers to this underserved population. Harrison, C. ( 2004 ) . Giftedness in Early Childhood and Young Gifted Children – Their Search for Complexity and Connection. Roeper Review, 26, ( 2 ) 78-84. This article by Dr. Cathie Harrison, Senior Lecturer in Early Childhood Education at ACU National, paperss the writer ‘s journey with talented kids and their households. It begins by researching the first hebdomads and months in the life of talented kids and their households. It so takes the reader through assorted phases and facets of the early childhood experience of being a immature gifted kid. It looks into the facets of drama, larning and development and the impression of the hunt for complexness and connexion as it impinges on both the rational and emotional and societal spheres. It moves on to looking at how the kids and households experience their links with early childhood and school scenes, community. This is an of import research-based mention for both parents and early childhood instructors. Peterson, Jean, Duncan, Nancy, Canady, Kate ( Jan 2009 ) . A Longitudinal Study of Negative Life Events, Stress, and School Experiences of Gifted Youth. Gifted Child Quarterly, 53, 34-49 This article is about an 11 twelvemonth mixed-methods, cross-sectional longitudinal survey that began with a group of 121 talented kids, and followed them until high-school graduation. Each twelvemonth, the kid ‘s parents identified any negative life events that may hold occurred, and, at graduation, pupils completed an open-ended questionnaire, concentrating on events, impact of events, supports, and interventions during their school old ages. It was found that the pupils had experienced many negative events and state of affairss during the school old ages but they normally cited academic challenges, school passages, friendly relationships, and overcommitment as their most ambitious experiences, non life events. It was interesting to see that about without exclusion the pupils maintained their high accomplishment. This survey shows that talented pupils may non pass on their concern to grownups who are invested in their accomplishment or non-achievement. Adults that play an of import function in this kid ‘s life should maintain the findings in this survey in head as they interact with them. This survey is similar to the book antecedently mentioned – Gifted Lives – because it shows the consequence that giftedness can hold on pupils from a immature age until subsequently on in life. Pfeiffer, Steven I. , Petscher, Yaacov ( Jan 2008 ) . Identifying Young Gifted Children Using the Gifted Rating Scales Preschool/ Kindergarten Form. Gifted Child Quarterly, 52, 19-29 This article reports on an analysis of a new instructor evaluation graduated table that was created to help in the designation of talented preschool and kindergarten pupils. This has proved in the yesteryear to be a hard group to place due to their immature age. The Gifted Rating Scales — Preschool/Kindergarten Form ( GRS-P ) is â€Å" based on a multidimensional theoretical account of giftedness. † The graduated table was found to be really effectual as an instrument in placing rational giftedness, irrespective of whether an IQ cutoff mark is used to specify rational giftedness. The writer is a professor at FSU and sits on the board of SENG ( Serving the Emotional Needs of Gifted ) . This was an article that was of import to include because the first measure in functioning the really immature gifted is being able to accurately and expeditiously place them. Early acknowledgment increases the chance of future extraordinary accomplishment and this article exhaustively exp lains one possible manner of placing them. Rotigel, J. V. ( 2003 ) . Understanding the immature gifted kid: Guidelines for parents, households, and pedagogues. Early Childhood Education Journal, 30 ( 4 ) , 209-214 This article by Indiana University at Pennsylvania Professor, Jennifer Rotigel, looks into immature gifted and talented kids and how they learn and develop. The article is helpful as it includes suggestions and resources for instructors and parents on how to understand the kid ‘s alone demands when be aftering for their instruction and how to do certain the kid is non developing unevenly. Adults must foremost specify giftedness for themselves and acknowledge what sort of impact that it has on course of study and direction. Rotigel reminds readers that they ( most probably as the instructors and parents ) need to see the alone demands of each kid as they plan ways to raising and educate these childs. The writer provides suggestions for instructors and parents along with a assortment of resources. This resource is effectual because it puts parents and instructors on the same page together and encourages them to work together for the benefit of the immature gifted kid.

Art History Formal Analysis – Comparison

Formal Analysis Paper The pieces Ann Whitley Russell, done by an unknown artist in around 1820 and Lady Frances Knowles, also done by an unknown artist, in the mid-late 17th century are both examples of portraits that portray the sitters in diverse yet insightful ways to viewers. Both Ann Whitley Russell and Lady Frances Knowles are works of art composed of oil paint on canvas. Although these portraits are different, the aspects of space, color, and composition are all important elements that must be considered while comparing the woman in these two pieces.The significant element of space comes into play while analyzing the portrait of Ann Whitley Russell. The figure of Ann Whitley Russell herself is very flat and appears to be two dimensional, rather than three. The two dimensionalism of this portrait says something about the skill level and amount of training that this unknown artist holds; they were most likely self-trained. Since there is a shallow depth of field in this piece th e viewer is automatically drawn to the sitter, Ann Whitley Russell, who is positioned in the foreground of this piece.Ann Whitley Russell is illustrated sitting on a chair with a decorative cloth draped over the left arm, which is positioned in the middle ground of the portrait. The background is monochrome, blurry and is indistinguishable to make out other than the column to the side of the portrait. The column looks as if the artist based it on Greek and Roman architecture due to its rounded appearance and indented texture. These columns would have been found in Europe throughout the early to mid eighteen hundreds, which was around the same time that this portrait was created.By including this type of column in the background the artist may be trying to portray the sitter, Ann Whitley Russell, as someone who is elite, wealthy and privileged enough to live in a place where this type of architecture exists. Although the artist made this column visible, it is still impossible to dete ct a specific setting in the background of this portrait. Furthermore, although the significance of the element of space also effects how viewers perceive the portrait of Lady Frances Knowles it does so in a different way.The viewer is automatically drawn to the center of this piece, which is the vivid three-dimensional figure of the sitter, Lady Frances Knowles. While studying the portrait Lady Frances Knowles I was able to detect a clear distinguishable foreground, middle ground and background. The artist positions the sitter in the foreground of the piece sitting on a stone bench with one arm resting upon the ledge of a stone fountain which is positioned in the middle ground.The stone fountain in the middle ground which has a statue of a Roman mythological winged figure attached has water flowing down from it and appears to be solid in space and volumetric due to this. The statue of a winged figure appears to be an angel, which is a symbol of love, peace, and protection. The back ground of this piece has trees with flowering leaves which may be where the flowers upon the lap of Lady Frances Knowles and the bench she is sitting on came from.The background seems to be slightly shallower compared to the sitter who is lifelike and three-dimensional. The background is less defined than the sitter is however the trees, fountain and flowers are distinguishable and give evidence that she must be sitting somewhere outside. The artist may have positioned the sitter somewhere outside in order to show the importance of nature and natural beauty because the sitter herself is so naturally beautiful.The artist of Lady Frances Knowles and of Ann Whitley Russell both use space to visually demonstrate what type of person the sitter is in the portrait, even though the way the space is represented is different in both. Another very important aspect that must be considered during the analysis of the portrait of Ann Whitley Russell is color. In this portrait the artist tends to u se a narrow array of colors that are bland and monotonous. The artist uses the same colors of black, white, brown, grey and red throughout the entire piece.The background is incredibly dull and the shades of brown get darker as it moves further away from her head. In this portrait the red is only bright and exciting color, it is found used for the plain velvet looking chair, the red accents on the cloth draped over the chair, the stone in the center of her necklace and the thin line of lipstick on Ann Whitley Russell’s lips. The black of the sitters dress contrasts her pale white skin and due to the incredibly dull background color more attention is given to her.By using these colors the artist shows how although Ann Whitley Russell is a woman of great wealth, she is a plain woman and instead of embellishing her with vibrant colors he focused on maintaining the sitters true essence. Additionally, while analyzing the portrait of Lady Frances Knowles the importance of color is also used however it is to express different meanings. It is easy to see that the artist of this piece finds color very important due to the vast color pallet he uses in order to contrast the colors of the sitters dress and her skin tones.The pallet consists of a diverse amount of blue, white, pink, red, grey, brown, and black shades, which are used to illustrate the sitter and her surroundings. The artist uses flowing brush strokes to engage viewers in Lady Frances Knowles, a strong example of these brush strokes can be seen in the sitters long brown flowing hair that she is trying to show off. The background of the portrait, which contains a variety of red and pink accents against a darker black background, deeply contrasts the white and pink shades of the sitters skin tone and the shades of blue on the sitters dress.Shadowing is used on the skirt and sleeves of the sitters dress to create realistic folds and wrinkles in the expensive fabric. The shades of red and pink are used fo r the flowers held by and surrounding Lady Frances Knowles, and are emblems representing femininity, beauty and fertility. The artists use color in contrasted ways in the portraits of Lady Frances Knowles and Ann Whitley Russell in order to illustrate the sitter’s unique personal attributes. The aspect of composition is one of great value while discussing the portrait of Ann Whitley Russell.Ann Whitley Russell’s figure takes up the majority of the piece and viewers are pulled into the portrait by the way the sitter’s head is slightly tilted in a contrapposto pose causing her gaze to fall upon us. The way the artist positioned the sitter with both of her arms resting over one of the arms of the chair seems uncomfortable and awkward, however this may have been seen as a proper way of sitting in 1820. Ann Whitley Russell’s portrait is a half body portrait from the waist up rather than a full body portrait that would have been more expensive at the time.The a rtist also focuses on the importance of lines by making them very defined so the viewer is able to depict where everything is easily. Due to the blurred and empty space in the background the sitter appears to be placed in an empty environment the artist may have done as to draw more attention to the subject (the sitter). Moreover, while analyzing the use of composition again in the Lady Frances Knowles portrait it is evident that it’s use is different.The artist gains the viewers full attention by the way the sitters face is held up gently by her hand and her soft eyes connect with the gaze of the viewer, drawing us even closer to the work of art. The way the artist positioned the sitter looks as if the sitter is going to get up at any moment due to how comfortable and relaxed her position is. The figure is directly centered with the background however her arm resting on the edge of the fountain on the side brings the main focus from herself to the intricate fountain.The back ground of the portrait is cluttered and the brush strokes are heavy and dark so the viewer will keep their focus on the sitter rather than the background. The proportions of the sitter in the portrait are accurate and almost entire the body of the sitter is portrayed, showing how she is willing to pay more for something more elegant. The artists for Ann Whitley Russell and Lady Frances Knowles both communicate diverse and very distinct characteristics about the sitter to viewers through the use of composition.After analyzing both of these portraits in excessive detail I have found that although they are unique in a variety of ways, both artists concentrations of work are the same. Some contrasts between the two portraits are that Ann Whitley Russell is two dimensional with a bland color pallet and is a half body portrait; while Lady Frances Knowles is three dimensional with a broad expanse of a color pallet and it is almost a full body portrait. The use of the elements space, color, and composition all influenced how the artists created the portraits of Ann Whitley Russell and Lady Frances Knowles and the themes within them.The unknown artist of the Ann Whitley Russell portrait used all three elements in order to illustrate how the sitter is a simple woman yet wealthy and elite as well. In the portrait of Lady Frances Knowles the artist, who is also unknown, uses these aspects to portray the natural beauty, femininity and wealth. Both themes are similar because they relate to how both sitters for each portrait aspired to be portrayed by the artists as attractive and wealthy.

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Impact of Social Networking Sites Essay Example for Free

Impact of Social Networking Sites Essay Decreased productivity: * Employees would get distracted when they have access to social networking sites. This will decrease their work efficiency, hence decreasing the productivity of the company. * Even if they are using the social networking sites for promotion or advertisements (job-related work), it is impossible to justify or make sure that every second they are on the social networking site, they are doing job-related work. If we cannot justify that, we cannot justify the salaries of the employees because they are paid to work, not to facebook. * It does not do the company any good in terms of their productivity if they allow their employees to access social networking sites in workplaces, as they would not be able to track what they employees are doing (whether they are doing job-related work or not). Hence, this is not cost-efficient and it is a waste of human resource as the salaries paid to the employees are not justified. * Company Security. The social media is on the World Wide Web and it is very easy for anyone and anybody from anywhere to simply hack in or simply cause a little trouble. Say, some private projects get accidentally exposed. Information can be easily gotten from the internet, and so unwanted information leaked can also be spread like wild fire. Employees will undoubtedly end up chatting with friends on the social media sites, and may accidentally leak out info when complaining to a friend, whom they did not know was from a possible competitor of the company, for example. Schools: Insignificant educational information on the social networking site: * Although some may argue that students can learn something new through the social networking sites, but the truth is the information we get on social networking sites are not significant in terms of educational purposes. What we normally see on these sites are probably latest updates that our friends post. Hence, there is no educational information on social networking sites. If we allow them in schools, we would be diverging our attention away from the main purpose of a school: which is to educate our next generation. * Furthermore, supposing social networking sites could be used for educational purposes and it would be as effective as our current education system, there will be no need for schools or even teachers. The students can have self-directed learning using the social networking sites at home. It will be a distraction to the students: * No matter how hard we can try to deny the fact, but the fact remains that social networking sites will just become a distraction to the students in schools where they are supposed to be educated. The students would probably be distracted and start updating their status on facebook or twitter etc. This decreases the student’s ability to listen to the teacher and eventually affect one’s learning which is not justifiable as more of the schools receive funds which comes from the government and eventually the taxpayers’ money. Hence, with needed justification from the government to the taxpayers, we cannot allow social networking sites in schools to prevent more distraction. Decreased face-to-face communication: * The students would lose valuable opportunities for direct face-to-face communication if social networking sites are allowed in schools. They would be able to communicate even behind the computers; however this is not beneficial to the student’s development as they might not be able to communicate efficiently to others when they go out to work in the society. Social networking sites are not effective for teaching and learning of the syllabus: * Social networking sites cannot meet the need of the some subjects, for example Mathematics where graphs need to be drawn and social networking sites would not be able to meet this need. * Also, exams cannot be done in social networking sites as the answers of every candidate needs to be protected, hence it does not make any sense to allow social networking sites in schools because it is not suitable for the syllabus. What they say:| What we say:| WORK: Social networking sites can be used for promotion of the company’s products. It is very efficient as the audience base is very large.| Yes we agree that it will be effective advertisement for the company if social networking sites can be used, however we cannot justify that every second that the employee spend on social networking sites, it would be for promotion purposes. This is precisely why we cannot allow them in the workplaces because it decreases work efficiency and productivity which is more significant to the company compared to advertisements. Another point is, it is easier, once uploaded to media websites, for people, to vandalise and find faults with , e.g. the video used for advertisements. Editions can be made and reposted (with simple hacking) and doom the company. To go through the trouble to specially ensure high security defeats the purpose of a wide spread and open internet online.| WORK: Save cost to advertise on social networking sites, because it is free and effective for small companies.| First, no company will not have a budget for advertisements. Second, even if they don’t have budget, they cannot justify that every second that the employee spend on the social networking sites will be for promotion. Hence, they might lose productivity while trying to save money on advertisements. Third, this kind of advertisement is not as effective as media advertising as people might just ignore the posts posted by the companies. (Compared to media advertising where impact on the consumers will be greater.)| WORK: Helps in efficiency and effectiveness, as speed is increased, internet gives ample information, easier to complete tasks online, and even if the person is not there in person, the same work could still be done, if not more effectively.| Half the time, as seen from results, we end up getting distracted by other news and information along the way while doing the job. At the end of the day, job is incomplete or a sloppy job as employee was distracted. Sure, employers could try to enforce certain restrictions on certain functions, or have a time limit, but it will then negate the advantages of using social media. | SCHOOL: Social networking sites could be used as convenient sources for students to discuss, brainstorm and do groupwork. Also, teachers could use them platforms for storing extra notes, and useful information, updates, and even extra notes about what to prepare for future lessons. This reduces time wastage on preparing and talking about things which can easily be read. If they need clarification but forgot to ask during class, you have SOCIAL MEDIA to the rescue! | Such benefits are common place and often discussed. But we managed before without such social media, without much difficulty, and it is not worth using social media with all the disadvantages that come with its use. Distractions, inattentiveness, the tendency for students to bicker nonsensically, e.t.c lead to excessive time wastage.In class, they have lesser tendency to waste time, as there is the presence of the teacher or even without the teacher, in person to person, they are more likely to think and try to brainstorm whatever ideas they get immediately, and can bounce off each other.if really such a need to share notes e.t.c., still social media is not the correct choice. File-sharing websites or simply creating an email update group would be far more efficient. |

The luncheon Essay Example for Free

The luncheon Essay A friendly intention of taking an friendout to lunch can result in important situations about oneself not experienced in other events. This comes to the forefront in Somerset W. Maughams anecdotal short story The Luncheon. The young protagonist, a writer, learns he should not be too generous for fear of being taken advantage of after feeling humiliated and angry because he took a pretentious woman out to lunch. The elements of structure, vivid imagery, symbols and style help to develop the acquaintances personality and the protagonists feelings from excitement to anger while also delineating to which extent the protagonists perception of things has changed for his own good. Structure is important to the evolution of the protagonists personal feelings. Initially, the protagonists feels flattered and excited that he has been asked by an older woman to take her out to lunch in one of the fanciest and most expensive restaurants in Paris. Although his financial situation worries him, he wants to please his acquaintance. However, when she begins to order many expensive items, he first worries about how he will pay the bill. Then, he feels humiliated for being used to satisfy her expensive food tastes only. Next, her insensitive discourse angers him: I see that youre in the habit of eating a heavy luncheon. [the protagonist ate only a mutton chop]. Im sure its a mistake. Why dont you follow my example and just eat one thing? Im sure youd feel ever so much better for it. However, he replies sarcastically, I am only going to eat one thing. Finally, the only solution for him is to not care about her and to be as mean to her as she was to him, whenever possible. His final statement shows that he has had his revenge at last Today she weighs twenty one stone. Vivid imagery and symbols help reveal the protagonists feelings and his acquaintances personality. Several times throughout the story, his acquaintance states, I never eat more than one thing for luncheon. The luncheon is symbolic of the concept of the survival of the fittest. On the one hand, his acquaintance possesses a manipulating and insincere personality, while the protagonist is good, kind, and pleasing. As a result, she gets what she wants while the protagonist must pay the price for taking such a person out to lunch because he is a good person. the color white in  the image of her white large teeth and French white wines suggests her cold personality (Jobes 1676). The salmon she eats reveals an abundance in the food items she eats (Jobes 1391) pointing to her extravagant personality. The caviar represents her delicate connoisseur tastes (de Vries 89). Even her age she is forty is significant in that a woman is a devil at forty (de Vries 200), so that it can be concluded she possesses a devilish nature. The symbolic number one in the acquaintances ironic statement, I never eat more than one thing for luncheon possesses several qualities evident of her character. It suggests boldness, consciousness and self-centeredness (Jobes 1209). The latter is the most significant because all she cares about is getting the food she wants. By referring to the head waiter as having a priest-like face and a false face, the protagonist emphasizes his anger about his financial means. In essence, the waiter and the acquaintance are performing rituals and acting on behalf of their best interests. The acquaintance pursues eating while the waiter expects a fine tip. Style, too, confirms the acquaintances personality as well as the protagonists illumination. The protagonist, being a down to earth and honest man is not convinced by her contradictory statements and therefore, doesnt care about her. On the other hand, the protagonists style of speaking is sincere and honest even during his angry moments. At the end when the acquaintance says, Never eat more than one thing for luncheon he emotionally releases himself by retorting, Ill eat nothing for dinner tonight! His second release though less stormy, happens when he complacently says, Today she weighs twenty one stone. These statements confirm he is no longer flattered by her. Style, vivid imagery and symbols as well as structure help develop the protagonists initial child-like feelings of flattery and excitement to disgust and anger due to the unfortunate sequence of events causes by his insensitive acquaintance. These elements also create a cold picture of his acquaintances personality. However, as he realizes what is happening to him during the course of events, he matures. The moral implications behind the short story The Luncheon are the thoughtful steps involved when one  commits oneself to taking a stranger out to lunch. Works Cited De Vries, Ad. Dictionary of symbols and Imagery. Amsterdam: North-Holland Publishing Co, 1974. Jobes, Gertrude. Dictionary of Mythology Folklore and Symbols. New York: Scarecrow Press, 1962. The Luncheon by W. Somerset Maugham [Maugham, W. Somerset (1977). Collected Short Stories: Volume 1. Penguin Classics, pp. 97-100.